Project : Architecture
  • PROJECTS
    • JiYuWon Cultural Space
    • Dulwich College Seoul Inquiry Hub Library
    • SFS Elementary School Library
    • Utopian Palimpsest: Chambord
    • SFS Middle Years Library
    • Tung House
    • Big Dig House
    • Verdant Recording Studio
    • Valentine Houses
  • PROJECTIONS
    • Fragments of a New Housing Language
    • Interdependent Urbanism
    • Spaces of Translation
    • Preservation, Pluralism, and Adaptive Reuse
  • EXHIBITIONS ร— LECTURES
    • City as Verb
    • Utopian Palimpsest: Chambord
    • Existing City / New Resource
    • Fragments of a New Housing Language
    • Psychedelic Architecture: Form and Allegory
  • ABOUT

 

Tung House

Tung House

Lincoln, Massachusetts, USA | 2017ย 
[ cover story, SPACE magazine | SARA NY award | Archdaily feature ]

Located on a strictly preserved wooded area, this project converges with the site and environment through a zero-energy strategy. While the massing adheres to tight setback restrictions, the roof breaks free of the houseโ€™s orthogonal geometry to optimize orientation of the solar panels. At the same time, the resulting roof overhang shields the interior from hot summer sun while allowing winter sunlight in for passive heating. To minimize site disturbance, the natural site slope is used to generate a split level section that connects public, semi-public and private zones of the house with the natural surrounds.

Tung House
The interior space is a series of terraces that follow the natural slope of the existing topography.

ย 

Tung House
The site was minimally disturbed through a split-level layout. A rotated roof on the exterior maximizes the efficiency of the solar panels while creating unique interior volumes. A parametric script developed by P:A and a Harvard research team was used to optimize the geometry of the roof and placement of windows.
Tung House
site plan
1st floor plan


2nd floor plan
ย 
Tung House
As the north side has few opening for insulation purposes, a monolithic appearance is intentionally sought.
west-east section


south-north section
ย 
Overhangs produced by the solar orientation of the roof are also used to shelter openings to the surrounding landscape.
Tung House
The double height entry connects the front and back, exterior and interior.
east elevation

west elevation
ย 
Tung House
The double height living area invites views of the tall trees of the preservation areas beyond. The corner doors extend the activities to an adjacent deck.
Tung House
The open kitchen is the geometric and social center adjacent to the main stair.
Tung House
The public spaces are interconnected in plan but still separated by changes in levels and differing roof profiles.
Tung House
By matching the existing sloped site, the house is organized in half-levels creating a constant flow between spaces.
Tung House
A semi-public mezzanine craft room hovers above the more public living spaces below and acts as a transition before entering the private spaces of 2nd floor bedrooms.
Tung House
The master bath takes advantage of the roof geometry to create a lofty place of retreat.
Tung House
As a figure in the landscape, the house is clad in white cement board panels as a full-scale diagram of the way the traditional pitched-roof typology is transformed.

 

Architect
John Hong AIA (principal in charge)
Jinhee Park (SsD), Taylor Harper, Daniel Carlson, Hyein Kim, Kiwon Jeon, Victor Michel, Yufeng
Zheng (design team)

Structural Engineer
Evan Hankin

Mechanical and Electrical Engineer
Peter Osowski, Vanguard Energy Partners

Construction
Mattos Construction

Photography
P:A

Project Info
Location: Lincoln, Massachusetts, USA
Program: Residence
Area: 285ย mยฒ + 68ย mยฒ basement

ย 

Tacit Struggle: Converging Architectural Experience and Sustainable Strategies
์•”๋ฌต์  ์‹ธ์›€: ๊ฑด์ถ• ๊ฒฝํ—˜๊ณผ ์ง€์†๊ฐ€๋Šฅ ์ „๋žต์˜ ์œตํ•ฉ
[ published in SPACE magazine, issue 601, December 2017 | Kim Narae, editor ]ย 

ย 
ย 
Sustainable Strategies
1. solar hot water panels for radiant flooring
2. vented rising heat from ground floor radiant flooring
3. radiant heat supplied by solar panels
4. summer sun shaded by overhangs / winter sun allowed in for passive heating
5. roof optimized for 36 PV solar panels
6. stack ventilation on moderate days

With the recent institutionalization of sustainability earmarked by the advent of the LEED โ€˜scoringโ€™ system in the mid-1990โ€™s, there has constantly been a tacit struggle between energy performance and architectural form. An important historical detail is that LEEDโ€™s early founders were scientists, not architects, even as they sought broad-based consensus across disciplines. In this way โ€˜building scienceโ€™ has accelerated as an autonomous discipline shaping sustainable architecture, and its major components of envelope and mechanical systems have become its most powerful signifiers. Exposed solar panels and super-insulated walls have come to represent architectureโ€™s advocacy of environmental design as an โ€˜agenda,โ€™ becoming a kind of semantic stand-in for the politics that the building represents.

In an attempt to reclaim architectureโ€™s position in generating form and refining typology, Tung House converges active and passive sustainability strategies with architectural sequence and space in the creation of a zero-energy dwelling. Located on a strictly regulated and preserved wooded area in Massachusetts, the double challenge was to preserve the existing physical conditions of the site while maximizing the potential for energy generation in a northerly climate where sunlight is less abundant.

Because of โ€˜buffer zonesโ€™ protecting the wetlands near the property, the relatively large parcel of land contained only a small buildable area. While the building massing adheres to these tight setback restrictions, the roof breaks free of the orthogonal geometry to optimize the orientation of the solar panels for the active generation of electricity and hot water. The 36 PV panels provide over 9-kW of power in the summer providing an excess of energy that is then transferred back into the municipal power grid. In the wintertime where less sunlight is available, the system equalizes the use of energy by also relying on 3 hot-water solar panels that provide the heating for the hydronic radiant floor systems.

The specific calibration of the roof overhangs also provides passive energy solutions: Their geometry shades the interior from the summer sun while allowing winter sunlight in for supplemental heating. In terms of the building profile, decoupling the roof geometry from the building mass creates a new typological variation of the traditional pitched roofs seen in the area. Viewed from the entry, the massing appears as a compact โ€˜barn-likeโ€™ profile, while from the backyard the same roof appears as cantilevered wings that provide shelter for social activities connecting house and landscape.

As the city ordinance strictly limited disturbing the existing site, the orientation of the massing also minimizes excavation. The section of the house follows the siteโ€™s natural contours, creating a split-level condition of half-levels. The result is a continuous experience from public, semi-public, and private spaces. As one enters, a view directly connects the front of the house to the preserved natural landscape of the backyard. An open stair becomes the communicating core of the house: A half-level down takes one to a large loft-like public area containing living, kitchen, dining, and play areas. These directly connect to the landscape through large swing doors that erode the corners of the room. Meanwhile, a half-level up connects to a hovering mezzanine with a craft and play area that is visually connected to but private from the living areas directly below it.

Even as the house is open, rather than presented as one undifferentiated volume, the ceiling height varies drastically, defining diverse areas of use. At the upper levels, the rotated roof creates dynamic relationships between the regularity of rectangular rooms and the irregularity of the varied ceiling planes. It constantly and subtly โ€˜unsettlesโ€™ the occupant, suggesting varying perspectives, movements, and lighting conditions that change with oneโ€™s specific position.

Beyond the experiential level, the section is also integral to the passive and active ventilation strategies. In the summer months, natural cooling is provided by stack ventilation where automated skylights draw cooler air from the lower regions of the house releasing the hotter air through the roof. Similarly, in the winter, the system is engineered so that radiant flooring only needs to be provided on the lower levels: Rising heat is vented to the upper private level through low-energy consuming fans rather than large ducted systems. The implementation of this optimized HVAC system is critical not only for a zero-energy result but in also minimizing construction costs.

Instead of the incorporation of sustainable strategies separately applied to the architecture after the architectural logic of the project is set, the Tung House is a small-scale example of how the convergence of building science and spatial relationships can create something more than the sum of its parts. Through simultaneously solving site conditions, patterns of use, and energy optimization, a new synthesis can be produced beyond either the autonomous architectural project or the successful implementation of sustainable strategies. In the case of the Tung House, the decoupling of the roof from the programmatic volume aims to extend both technical and experiential aspects. For the former, active solar performance and the use of daylighting for passive energy is optimized. For the latter, the typological โ€˜playโ€™ of the traditional pitched roof form is turned into something slightly odd or incidental that transforms expectations when viewed from the exterior. From the interior, the roof form creates differentiation and subtle discontinuity within an otherwise open volume.

1990๋…„๋Œ€ ์ค‘๋ฐ˜ LEED์—์„œ ๊ฑด์ถ•๋ฌผ์˜ ์นœํ™˜๊ฒฝ ์„ค๋น„๋“ค์— ๋Œ€ํ•œ ์ ์ˆ˜ ๊ณ„์‚ฐ์‹ ์‹œ์Šคํ…œ์„ ๋„์ž…ํ•˜๋ฉด์„œ ์นœํ™˜๊ฒฝ ๊ฑด์ถ•์ด๋ผ๋Š” ๊ฐœ๋…์ด ์ œ๋„์ ์œผ๋กœ ์ •๋ฆฝ๋˜๊ธฐ ์‹œ์ž‘ํ•˜์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ๊ณผ์ • ์†์—๋Š” ์—๋„ˆ์ง€ ํšจ์œจ๊ณผ ๊ฑด์ถ•์  ํ˜•ํƒœ ์‚ฌ์ด์˜ ๋Š์ž„์—†๋Š” ๋ฌด์–ธ์˜ ๊ฐˆ๋“ฑ์ด ์กด์žฌํ•ด์™”๋‹ค. ๋น„๋ก ์—ฌ๋Ÿฌ ๋ถ„์•ผ๋“ค ๊ฐ„์˜ ๋…ผ์˜๋ฅผ ํ†ตํ•ด์„œ ๊ทธ ๊ธฐ์ค€์ด ์ˆ˜๋ฆฝ๋œ ๊ฒƒ์ด๋ผ ํ•ด๋„, LEED์˜ ์ดˆ์ฐฝ๊ธฐ ์„ค๋ฆฝ์ž๋Š” ๊ฑด์ถ•๊ฐ€๊ฐ€ ์•„๋‹Œ ๊ณผํ•™์ž๋“ค์ด์—ˆ๊ธฐ ๋•Œ๋ฌธ์—, ๊ฑด์ถ•์˜ ๋‹ด๋ก , ๊ทœ๋ฒ”๊ณผ์˜ ๊ฐˆ๋“ฑ์ด ํ•„์—ฐ์ ์œผ๋กœ ์ƒ๊ฒจ๋‚œ ๊ฒƒ์ด๋‹ค. โ€˜๊ฑด์ถ•๊ณตํ•™โ€™์ด๋ผ๋Š” ๋ถ„์•ผ๊ฐ€ ์นœํ™˜๊ฒฝ์ ์ธ ๊ฑด๋ฌผ๋“ค์˜ ํ˜•ํƒœ๋ฅผ ๊ฒฐ์ •ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์™ธํ”ผ์™€ ๊ธฐ๊ณ„ ์„ค๋น„ ์‹œ์Šคํ…œ์ด ์ด๋ฅผ ๋งํ•ด์ฃผ๋Š” ์ง€ํ‘œ๊ฐ€ ๋˜์–ด๋ฒ„๋ ธ๋‹ค. ํƒœ์–‘๊ด‘ ํŒจ๋„๊ณผ ๊ฐ•๋ ฅํ•œ ๋‹จ์—ด ๋ฒฝ์ฒด๋Š” ๊ทธ ๊ฑด๋ฌผ์ด ์ด๋Ÿฌํ•œ ์˜ค๋Š˜๋‚ ์˜ ์ถ”์„ธ๋ฅผ ๋”ฐ๋ฅด๊ณ  ์žˆ๋‹ค๋Š” ๊ฐ•๋ ฅํ•œ ์ฆ๊ฑฐ๊ฐ€ ๋˜์—ˆ์œผ๋ฉฐ, ๊ทธ ๊ฑด๋ฌผ์ด ํ‘œ์ƒํ•˜๋Š” ๊ฐ€์น˜๋ฅผ ๋Œ€๋ณ€ํ•˜๋Š” ์ƒ์ง•๊ณผ ๊ฐ™์€ ์—ญํ• ์„ ํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค.

๊ฑด์ถ•์˜ ๋ณธ์—ฐ์˜ ์—ญํ• ์ด ํ˜•ํƒœ๋ฅผ ๋งŒ๋“ค์–ด๋‚ด๊ณ  ์œ ํ˜•์„ ์ฐพ์•„๋‚ด๋Š” ๊ฒƒ์ด๋ผ๋Š” ์ ์„ ๋‹ค์‹œ ์ฃผ์žฅํ•˜๊ธฐ ์œ„ํ•ด์„œ, ํ…… ํ•˜์šฐ์Šค๋Š” ๊ธฐ๊ณ„์‹๊ณผ ์ž์—ฐ์‹ ์นœํ™˜๊ฒฝ ์„ค๋น„๋“ค์ด ๊ฑด์ถ•์  ๊ณต๊ฐ„ ๊ฒฝํ—˜๊ณผ ๊ฒฐํ•ฉ๋˜์–ด ์žˆ๋Š” ์ƒˆ๋กœ์šด ๋ฐฉ์‹์˜ ์ œ๋กœ ์—๋„ˆ์ง€ ์ฃผ๊ฑฐ๋ฅผ ํ‘œ๋ฐฉํ•˜๊ณ  ์žˆ๋‹ค. ์‚ฌ์ดํŠธ๊ฐ€ ๋งค์‚ฌ์ถ”์„ธ์ธ ์ฃผ์˜ ์—„๊ฒฉํ•œ ๊ทœ์ œ๋กœ ๋ณดํ˜ธ๋ฐ›๊ณ  ์žˆ๋Š” ์‚ผ๋ฆผ์ง€์—ญ์— ์œ„์น˜ํ•˜๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์—, ์ง€์—ญ์ด ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ๊ธฐ์กด์˜ ๋ฌผ๋ฆฌ์  ํ™˜๊ฒฝ์„ ๋ณดํ˜ธํ•˜๋Š” ๋™์‹œ์—, ํƒœ์–‘๊ด‘์ด ์ถฉ๋ถ„ํ•˜์ง€ ์•Š์€ ๋ฏธ๋ถ๋ถ€ ์ง€์—ญ์˜ ๊ธฐํ›„์— ๋Œ€์‘ํ•˜์—ฌ ์—๋„ˆ์ง€ ์ƒ์‚ฐํ•ด๋‚ด๋Š” ๊ฒƒ์ด ๋””์ž์ธ์— ์žˆ์–ด ๋‘๊ฐ€์ง€ ๊ด€๊ฑด์ด์—ˆ๋‹ค.

ํ•„์ง€ ์ฃผ๋ณ€์˜ ์Šต์ง€ ๋ณดํ˜ธ๋ฅผ ์œ„ํ•œ โ€˜๋ฒ„ํผ์กดโ€™ ๋•Œ๋ฌธ์—, ์ƒ๋Œ€์ ์œผ๋กœ ํฐ ๊ทœ๋ชจ์˜ ๋Œ€์ง€์ž„์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ์‹ค์ œ๋กœ ๊ฑด๋ฌผ์„ ์ง€์„ ์ˆ˜ ์žˆ๋Š” ์˜์—ญ์€ ๊ทนํžˆ ์ œํ•œ์ ์ด์—ˆ๋‹ค. ๋”ฐ๋ผ์„œ ๊ฑด๋ฌผ์ด ๊ฑด์ถ•ํ›„ํ‡ด์„ ์— ๊ฐ€๊นŒ์ด ๋ถ™์–ด ๋ฐฐ์น˜๋  ์ˆ˜๋ฐ–์— ์—†์—ˆ๊ธฐ์—, ์ง€๋ถ•์„ ์ง๊ต ์ขŒํ‘œ ์ƒ์—์„œ ๋ถ„ํ• ํ•˜์—ฌ ์ „๊ธฐ์™€ ์˜จ์ˆ˜๋ฅผ ์œ„ํ•œ ํƒœ์–‘๊ด‘ ํŒจ๋„์ด ์ตœ๋Œ€ํ•œ์˜ ํ–‡๋น›์„ ๋ฐ›์„ ์ˆ˜ ์žˆ๋„๋ก ํ•˜์˜€๋‹ค. ์—ฌ๋ฆ„์˜ ๊ฒฝ์šฐ 36๊ฐœ์˜ PV ํŒจ๋„๋“ค์€ 9ํ‚ฌ๋กœ์™€ํŠธ๊ฐ€ ๋„˜๋Š” ์ „๋ ฅ์„ ์ƒ์‚ฐํ•ด๋‚ด๋ฉฐ, ๋‚จ๋Š” ์ „๋ ฅ์€ ๋„์‹œ์˜ ์ „๋ ฅ๋ง์œผ๋กœ ํ˜๋Ÿฌ๋“ค์–ด ๊ฐ„๋‹ค. ๊ฒจ์šธ์—๋Š” ํƒœ์–‘๊ด‘์˜ ์–‘์ด ์ ๊ธฐ ๋•Œ๋ฌธ์—, 3๊ฐœ์˜ ์˜จ์ˆ˜ ๋ฐœ์ „ ํƒœ์–‘๊ด‘ ํŒจ๋„์„ ํ†ตํ•ด์„œ ์ด๋ฅผ ์ถฉ๋‹นํ•˜๋ฉฐ, ์—ฌ๊ธฐ์„œ ๋ฐœ์ƒ๋œ ์˜จ์ˆ˜๋Š” ๊ฑด์‹ ๋ฐ”๋‹ฅ ์˜จ์ˆ˜ ๋‚œ๋ฐฉ์— ์‚ฌ์šฉ๋œ๋‹ค.

์„ธ๋ฐ€ํ•œ ๊ณ„์‚ฐ์„ ํ†ตํ•ด์„œ ๋Œ์ถœ๋œ ์ง€๋ถ•๋“ค์€ ํŒจ์‹œ๋ธŒ ์—๋„ˆ์ง€ ๊ณต๊ธ‰ ๋˜ํ•œ ๋‹ด๋‹นํ•œ๋‹ค. ์—ฌ๋ฆ„์—๋Š” ์ง€๋ถ•์ด ์ง‘ ์•ˆ์œผ๋กœ ํƒœ์–‘๋น›์ด ๋“ค์–ด์˜ค๋Š” ๊ฒƒ์„ ๋ง‰์œผ๋ฉด์„œ, ๊ฒจ์šธ์—๋Š” ์ง‘ ์•ˆ์„ ์ถฉ๋ถ„ํžˆ ๋”ฐ๋œปํ•˜๊ฒŒ ํ•  ์ •๋„๋กœ ๋น›์ด ๋“ค์–ด์˜ฌ ์ˆ˜ ์žˆ๊ฒŒ ๋””์ž์ธ๋˜์–ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๊ฑด๋ฌผ์˜ ๋งค์Šค์™€ ๋ถ„๋ฆฌ๋œ ์ง€๋ถ•์ด ๋งŒ๋“ค์–ด๋‚ด๋Š” ๊ฑด๋ฌผ์˜ ํ”„๋กœํ•„์„ ๋ณด๋ฉด ์ด๊ฒƒ์ด ์ „ํ†ต์ ์ธ ๋ฐ•๊ณต์ง€๋ถ•์˜ ์ƒˆ๋กœ์šด ์œ ํ˜•์„ ์ œ์‹œํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์ž…๊ตฌ์—์„œ ๋ฐ”๋ผ๋ณด๋ฉด ๊ฑด๋ฌผ์ด ์ „์ฒด์ ์œผ๋กœ ์ž‘์€ ํ—›๊ฐ„์ฒ˜๋Ÿผ ๋ณด์ด์ง€๋งŒ, ๊ฐ™์€ ์ง€๋ถ•์„ ๋’ท๋งˆ๋‹น์—์„œ ๋ฐ”๋ผ๋ณด๋ฉด ์ด๋“ค์ด ์บ”ํ‹ธ๋ ˆ๋ฒ„๋กœ ๋ป—์–ด ๋‚˜์™€ ์•ผ์™ธํ™œ๋™์„ ์œ„ํ•œ ๊ทธ๋Š˜์„ ์ œ๊ณตํ•˜๋ฉฐ ์ง‘๊ณผ ์ฃผ๋ณ€ ์ž์—ฐ๊ฒฝ๊ด€์„ ์—ฐ๊ฒฐ์‹œํ‚จ๋‹ค.

์‹œ ์กฐ๋ก€๊ฐ€ ๊ธฐ์กด ๋Œ€์ง€๋ฅผ ๊ฐ•๋ ฅํ•˜๊ฒŒ ๋ณดํ˜ธํ•˜๊ณ  ์žˆ์—ˆ๊ธฐ ๋•Œ๋ฌธ์— ๊ฑด๋ฌผ ๋งค์‹ฑ ๋˜ํ•œ ์ด๋ฅผ ์ตœ๋Œ€ํ•œ ํ›ผ์†ํ•˜์ง€ ์•Š๋Š” ๋ฐฉํ–ฅ์œผ๋กœ ๊ณ„ํš๋˜์—ˆ๋‹ค. ๊ฑด๋ฌผ์˜ ๋‹จ๋ฉด์€ ๋Œ€์ง€ ๋ณธ๋ž˜์˜ ์ง€ํ˜•์„ ๋”ฐ๋ฅด๊ณ  ์žˆ์œผ๋ฉฐ, ๊ฑด๋ฌผ์€ ์ด์— ๋”ฐ๋ผ ๋ฐ˜์ธต ๋‹จ์œ„๋กœ ๋‚˜๋ˆ„์–ด์ง„๋‹ค. ์ด๋Ÿฌํ•œ ๋ฐ˜์ธต ๊ตฌ์กฐ๋Š” ์‹ค๋‚ด์—์„œ ๊ณต์  ๊ณต๊ฐ„, ๋ฐ˜ ๊ณต์  ํ˜น์€ ๋ฐ˜ ์‚ฌ์  ๊ณต๊ฐ„, ๊ทธ๋ฆฌ๊ณ  ์‚ฌ์  ๊ณต๊ฐ„์˜ ์—ฐ์†์ ์ธ ์—ฐ๊ฒฐ์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•œ๋‹ค. ๊ฑด๋ฌผ์— ์ง„์ž…ํ•˜๋Š” ์ˆœ๊ฐ„ ๊ณง๋ฐ”๋กœ ๊ฑด๋ฌผ์˜ ์ •๋ฉด๊ณผ ํ•จ๊ป˜ ๋ฐ˜๋Œ€ํŽธ์˜ ์ž์—ฐ ๊ฒฝ๊ด€์ด ํ•œ๋ˆˆ์— ๋“ค์–ด์˜จ๋‹ค. ๊ฐœ๋ฐฉ๋œ ๊ณ„๋‹จ์‹ค์€ ๊ฑฐ์ฃผ์ž๋“ค์„ ์œ„ํ•œ ์†Œํ†ต์˜ ๊ต์ ์ด ๋˜๋ฉฐ, ๊ณ„๋‹จ์„ ๋”ฐ๋ผ ๋ฐ˜์ธต ์•„๋ž˜๋กœ ๋‚ด๋ ค๊ฐ€๋ฉด ๋กœํ”„ํŠธ์™€ ๊ฐ™์€ ๋„“์€ ๊ณต์šฉ ๊ณต๊ฐ„์„ ๋งˆ์ฃผํ•˜๊ฒŒ ๋œ๋‹ค. ์ด๊ณณ์—๋Š” ๊ฑฐ์‹ค, ๋ถ€์—Œ, ์ฃผ๋ฐฉ, ๊ทธ๋ฆฌ๊ณ  ๋†€์ด ๊ณต๊ฐ„์ด ์œ„์น˜ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ๋ฐฉ ๋ชจ์„œ๋ฆฌ์˜ ํฐ ์Šค์œ™ ๋„์–ด๊ฐ€ ์‹ค๋‚ด์™ธ์˜ ๊ฒฝ๊ณ„๋ฅผ ํ๋ฆฌ๋ฉด์„œ ๋‘ ๊ณต๊ฐ„์„ ์—ฐ๊ฒฐ์‹œํ‚จ๋‹ค. ๋ฐ˜๋ฉด ๋ฐ˜์ธต ์œ„๋กœ ์˜ฌ๋ผ๊ฐ€๊ฒŒ ๋˜๋ฉด, ์ˆ˜๊ณต์˜ˆ์™€ ๋†€์ด ๊ณต๊ฐ„์ด ์œ„์น˜ํ•œ ๋ถ€์œ ํ•˜๋Š” ๋“ฏํ•œ ์ค‘์ธต์— ์ด๋ฅด๊ฒŒ ๋œ๋‹ค. ์ด ์ค‘์ธต์€ ๋ฐ”๋กœ ์•„๋ž˜์˜ ๊ฑฐ์‹ค๊ณผ ์‹œ๊ฐ์ ์œผ๋กœ๋Š” ์—ฐ๊ฒฐ๋˜์–ด ์žˆ์ง€๋งŒ ๊ทธ ์ƒ๋Œ€์  ๋†’์ด ์ฐจ์ด๊ฐ€ ์‚ฌ์ ์ธ ๋А๋‚Œ์„ ๋ณดํ˜ธํ•ด์ค€๋‹ค.

์‹ค๋‚ด๋Š” ๊ฐ™์€ ๋†’์ด์˜ ์ผ์ฒดํ™” ๋œ ๋ฉ์–ด๋ฆฌ๊ฐ€ ์•„๋‹Œ, ๋‹ค์–‘ํ•œ ์ธต๊ณ ์˜ ๊ณต๊ฐ„๋“ค์„ ๊ฐ ๊ณต๊ฐ„์˜ ์“ฐ์ž„์ƒˆ๋ฅผ ๋งŒ๋“ค์–ด๋‚ธ๋‹ค. ๊ฑด๋ฌผ ์ƒ์ธต๋ถ€์—๋Š” ์ง€๋ถ•์˜ ๋ฐฉํ–ฅ์— ๋”ฐ๋ผ ๋งŒ๋“ค์–ด์ง„ ๋‹ค์–‘ํ•˜๊ณ  ๋ถˆ๊ทœ์น™์ ์ธ ์ฒœ์žฅ ๋ฉด๋“ค๊ณผ ๊ทœ์น™์ ์ธ ์‚ฌ๊ฐํ˜•์˜ ๋ฐฉ๋“ค์ด ๊ทน์ ์ธ ์กฐํ™”๋ฅผ ์ด๋ฃจ๊ณ ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๊ตฌ์„ฑ์€ ๊ฑฐ์ฃผ์ž๋“ค์„ ๊ณ„์†ํ•ด์„œ โ€˜์›€์ง์ด๊ฒŒโ€™ ๋งŒ๋“ค๋ฉฐ, ์ง‘ ์•ˆ์—์„œ์˜ ์œ„์น˜์— ๋”ฐ๋ผ ๋‹ค์–‘ํ•œ ์‹œ์ ๊ณผ ๋™์„ , ๊ทธ๋ฆฌ๊ณ  ์ฑ„๊ด‘ ํ™˜๊ฒฝ์„ ๊ฒฝํ—˜ํ•  ์ˆ˜ ์žˆ๋„๋ก ์œ ๋„ํ•œ๋‹ค. ๋˜ํ•œ ์ด๋Ÿฐ ๊ฒฝํ—˜์  ์ฐจ์›์„ ๋„˜์–ด์„œ, ๊ฑด๋ฌผ์˜ ๋‹จ๋ฉด์€ ์ž์—ฐ ํ™˜๊ธฐ์™€ ๊ฐ•์ œ ํ™˜๊ธฐ ์‹œ์Šคํ…œ์ด ๊ฒฐํ•ฉ๋œ ๊ณตํ•™์  ๊ฒฐ๊ณผ๋ฌผ์ด๋‹ค. ์—ฌ๋ฆ„์—๋Š” ํƒœ์–‘๋น›์„ ๋ฐ›์€ ์ƒ๋ถ€์˜ ๊ณต๊ธฐ๊ฐ€ ๋ฐ–์œผ๋กœ ๋‚˜๊ฐ€๋ฉด์„œ ์—ฐ๋Œํšจ๊ณผ์— ์˜ํ•ด ์ง‘์•ˆ์˜ ์ฐจ๊ฐ€์šด ๊ณต๊ธฐ๊ฐ€ ์œ„๋กœ ์ƒ์Šนํ•˜๊ฒŒ ๋œ๋‹ค. ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ๊ฒจ์šธ์—๋Š” ๋ฐ”๋‹ฅ ๋ณต์‚ฌ ๋‚œ๋ฐฉ์ด ์˜ค์ง ์ €์ธต๋ถ€์—๋งŒ ํ•„์š”ํ•˜๊ฒŒ๋” ์„ค๊ณ„๋˜์—ˆ๋‹ค. ๋ฐ”๋‹ฅ์—์„œ ๋‚˜์˜จ ์—ด์ด ์ €์ „๋ ฅ ํŒฌ์„ ํ†ตํ•ด์„œ ์ƒ์ธต๋ถ€์˜ ๊ฐœ๋ณ„ ๊ณต๊ฐ„๋“ค๋กœ ํผ์ ธ๋‚˜๊ฐ€๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋”ฐ๋ผ์„œ ๊ฑฐ๋Œ€ํ•œ ๋ฐฐ๊ธฐ ์‹œ์Šคํ…œ์ด ๋ถˆํ•„์š”ํ•˜๋‹ค. ์ด ์ตœ์ ํ™”๋œ ๋ƒ‰๋‚œ๋ฐฉ ๋ฐ ํ™˜๊ธฐ ์‹œ์Šคํ…œ์€ ์ œ๋กœ์—๋„ˆ์ง€ ์ฃผํƒ์„ ์œ„ํ•ด์„œ๋„ ์ค‘์š”ํ•˜์ง€๋งŒ, ์ „์ฒด์ ์ธ ๊ณต์‚ฌ๋น„์šฉ์„ ์ ˆ๊ฐํ•˜๋Š”๋ฐ๋„ ๋งŽ์€ ๋„์›€์„ ์ค€๋‹ค.

ํ…… ํ•˜์šฐ์Šค๋Š” ๊ฑด๋ฌผ ์ž์ฒด์˜ ๊ฑด์ถ•์  ๋…ผ๋ฆฌ๊ฐ€ ์ด๋ฏธ ๊ฒฐ์ •๋œ ํ›„์— ๊ฑด๋ฌผ์˜ ์นœํ™˜๊ฒฝ ์„ค๋น„ ๊ณ„ํš์„ ๋ถ€์ฐจ์ ์œผ๋กœ ์ ์šฉํ•˜๋Š” ๋ฐฉ์‹์—์„œ ๋ฒ—์–ด๋‚˜, ๊ฑด์ถ• ๊ณตํ•™๊ณผ ๊ฑด์ถ• ๊ณต๊ฐ„์ด ์ด๋“ค์˜ ๋‹จ์ˆœ ํ•ฉ์„ ๋„˜์–ด์„œ๋Š” ๋ฌด์–ธ๊ฐ€๋ฅผ ์–ด๋–ป๊ฒŒ ๋งŒ๋“ค์–ด๋‚ผ ์ˆ˜ ์žˆ๋Š” ์ง€๋ฅผ ๋ณด์—ฌ์ฃผ๋Š” ์ž‘์€ ์˜ˆ์‹œ์ด๋‹ค. ๋Œ€์ง€ ์กฐ๊ฑด, ์ƒํ™œ ๋ฐฉ์‹, ๊ทธ๋ฆฌ๊ณ  ์—๋„ˆ์ง€ ์ตœ์ ํ™” ๋ฌธ์ œ๋ฅผ ํ†ตํ•ฉ์ ์œผ๋กœ ํ•ด๊ฒฐํ•˜๋ ค๋Š” ์‹œ๋„ ์†์—์„œ, ๋‹จ์ˆœํžˆ ์ž์œจ์ ์ธ ๊ฑด์ถ•์  ํ”„๋กœ์ ํŠธ๋‚˜ ์„ฑ๊ณต์ ์ธ ์นœํ™˜๊ฒฝ ์„ค๊ณ„๋ฅผ ๋›ฐ์–ด๋„˜๋Š” ์ƒˆ๋กœ์šด ํ†ตํ•ฉ์ ์ธ ๊ฒฐ๊ณผ๋ฌผ์ด ์ƒ์‚ฐ๋  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ์ด ๊ฒฝ์šฐ ํ…… ํ•˜์šฐ์Šค๋Š” ์ง€๋ถ•์„ ๊ฑด๋ฌผ์˜ ๋ณธ์ฒด์—์„œ ๋ถ„๋ฆฌ์‹œํ‚ด์œผ๋กœ์จ ๋”์šฑ ๊ณตํ•™์ ์ด๋ฉด์„œ๋„ ๋†’์€ ๋ฏธ์  ํšจ๊ณผ๋ฅผ ์–ป์–ด๋‚ด๊ณ ์ž ํ•˜์˜€๋‹ค. ๊ธฐ๋Šฅ์ ์œผ๋กœ ํƒœ์–‘๊ด‘ ํŒจ๋„์˜ ๋ฐœ์ „๋ ฅ๊ณผ ์ž์—ฐ ๋ƒ‰๋‚œ๋ฐฉ์„ ์œ„ํ•œ ์ผ์กฐ๋Ÿ‰์„ ์กฐ์ ˆํ•˜๋Š” ๋ฐ์— ์ตœ์ ํ™” ๋˜์–ด์žˆ์œผ๋ฉด์„œ๋„, ์ƒˆ๋กœ์šด ์œ ํ˜•์„ ์œ„ํ•œ โ€˜์‹คํ—˜โ€™์œผ๋กœ์„œ ์ „ํ†ต์ ์ธ ๋ฐ•๊ณต์ง€๋ถ•์˜ ํ˜•ํƒœ์— ๋ณ€ํ™”๋ฅผ ์ฃผ์–ด ์‹ค๋‚ด์™ธ์—์„œ ๊ฐ๊ธฐ ๋‹ค๋ฅธ ๊ฐ์ƒ์„ ์ž์•„๋‚ด๋Š” ๊ฒƒ์ด๋‹ค. ์ง€๋ถ•์„ ๋ฐ–์—์„œ ๋ณด์•˜์„ ๋• ๊ธฐ๋Œ€์™€ ๋‹ฌ๋ฆฌ ์–ด๋”˜๊ฐ€ ์–ด์ƒ‰ํ•˜๊ณ  ์šฐ์—ฐ์ ์ธ ๋А๋‚Œ์ด ๊ฐ•์กฐ๋˜๋ฉด์„œ๋„, ์‹ค๋‚ด์—์„œ ์˜ฌ๋ ค๋‹ค ๋ณธ ์ง€๋ถ•์€ ๊ฐœ๋ฐฉ์ ์ธ ๋‚ด๋ถ€์—์„  ๋ณผ ์ˆ˜ ์—†๋Š” ์‹œ๊ฐ์  ๋ณ€์ฃผ์™€ ๋ฏธ๋ฌ˜ํ•œ ๋ถˆ์—ฐ์†์„ฑ์„ ์—ฐ์ถœํ•œ๋‹ค.

– translated by Lee Youngju
– ๋ฒˆ์—ญ ์ด์˜์ฃผ

related posts

City as Verb entry

City as Verb

City as Verb takes the familiar nouns used to describe our urban environments and simply changes them into verbs. This seemingly simple conceptual shift has deep consequences: For instance, instead using the word โ€˜street,โ€™ we change it to โ€˜moving’…

big dig house

Big Dig House

As a prototype building that demonstrates how infrastructure can be salvaged and reused, the structural system for this house is comprised of steel and concrete discarded from Bostonโ€™s Big Dig. Utilizing over 600,000 pounds of…

contemporary jungja

Minimal House Exhibition Opens 28 June

Project : Architecture is pleased to be part of the 8th annual โ€˜Minimal Houseโ€™ exhibition. Our two projects, Tung House and Contemporary Jungja, explore the relationship between minimum energy use and maximum experience. Please join us for the opening event!

Valentine Houses

Valentine Houses

The 3 new townhouses transform Cambridgeportโ€™s woodframe type, dynamically addressing boundaries between inside and outside, private and community. A critique of the inward looking โ€˜winterized box,โ€™ the project incorporates double…

Big Dig House Factory for Urban Living Exhibition
Back to top
Project : Architecture
© Project : Architecture 2023

INFO

project /n/ a collaborative enterprise:
project /v/ to forecast or extend:
Project : Architecture is the design and research lab of John Hong AIA, LEED AP

Seoul National University
Department of Architecture and Architectural Engineering
Building 39-503
1 Gwanak-ro, Gwanak-gu
Seoul, Korea 08826

Email: pa [at] projectarchitecture [dot] com
Tel Korea:ย +82 2 880 1621
Tel USA: +1 617 302 9777

Subscribe

Enter your email address to receive the most recent P:A news. Unsubscribe at any time. Your address is private and will never by distributed or sold.

Recent Posts

  • JiYuWon Cultural Space
  • November 2022 Lectures
  • Dulwich College Seoul Inquiry Hub Library
  • 100 Years of Modern Architecture Exhibit
  • Dulwich College Seoul ‘Inquiry Hub’ Library Wins 2021 AIA International Award
  • Seoul Biennale Opening Forum
  • The Only Question is When: John Hong lecture at Singapore University of Technology and Design | 14 July 2021
  • City as Verb
  • City As Verb Wednesday Seminars
  • SFS Elementary School Library
  • Utopian Palimpsest: Chambord
  • Preservation, Pluralism, and Adaptive Reuse

TWITTER

My Tweets